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Inimitable Rarities? Feather Costumes, Indigenous Artistic Labour and Early Modern English Theatre History

Research output: Contribution to journalArticlepeer-review

Abstract

In the seventeenth century, English audiences were dazzled by the display of indigenous artwork in London’s theatres. Red and white feather costumes, constructed by indigenous craftsmen out of scarlet ibis feathers, shone on white actors playing ‘Indian’ priests; audiences marvelled at the novel display of an indigenous-made hammock displayed onstage; and actors playing conquistadors lazed in a grotto littered with other ‘Indian rarities’. This essay attends to one subset of these objects: feather costumes directly made by indigenous artisans or inspired by indigenous designs.

Original languageEnglish
Pages (from-to)38-53
Number of pages16
JournalShakespeare
Volume19
Issue number1
DOIs
StatePublished - 2023

Keywords

  • America
  • Chapman
  • Dryden
  • Tupi
  • colonialism
  • featherwork
  • indigenous technology

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