Abstract
Realistic virtual reality visualizations of a physical place,whether historic or contemporary, can exude a sense of certainty about their accuracy. They can also evade complexity by excluding underrepresented narratives about place such as those held by indigenous and other marginalized communities. Through engaging with a framework of complexity, ethics, and humility,we propose a technique of immersive virtual storytelling (IVS) that foregrounds uncertainty through a combination of realistic material treatments and translucent, ephemeral “ghost textures.” By applying these treatments to two virtual three-dimensional models telling a pre- and post-construction story of aWorldWar II-era rifle range,we were able to test the use of these treatments in exposing gaps in archival data. This highlighted the predominance of a colonial lens in guiding historic site visualization, raising a question of how other narratives might be included without conforming to a colonial framework.
| Original language | English |
|---|---|
| Pages (from-to) | 85-98 |
| Number of pages | 14 |
| Journal | Presence: Teleoperators and Virtual Environments |
| Volume | 30 |
| DOIs | |
| State | Published - 2021 |
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