TY - GEN
T1 - RHUMBLINE
T2 - Reproduced Sound 2021: You''re on Mute - The Importance of Audio
AU - Schedel, M. A.
AU - Hwang, N.
AU - Smith, B. D.
AU - Cosgrove, R.
N1 - Publisher Copyright: © 2021 Institute of Acoustics. All rights reserved.
PY - 2021
Y1 - 2021
N2 - Wildlife ecologists and conservation biologists have established the importance of bioacoustic data through acoustic monitoring to assess numerous behaviors in the animal kingdom, including migration, hunting, mating, local navigation, and defense.1 Among various instances of sonic species monitoring, acoustic monitoring of amphibians has highlighted the importance of audio data. Not only has audio played a crucial role in raising the awareness of global amphibian species decline, audio data has helped to determine the acceleration of this decline, revealing the value of environmental acoustics as diagnostic and analytical frameworks in numerous scientific fields.2 However, ecoacoustic content plays an equally important role in artistic contexts, particularly electroacoustic installations that attempt to reproduce or invoke environmental soundscapes through the creative deployment of environmental field recordings through stereo or multi-channel speaker arrays.3 Yet, this preoccupation of phonographic audio in artistic contexts that has pervaded ecoacoustic artworks in the 20th and early 21st centuries neglects the rich multivalence and indeterminacy inherent in acoustically produced sound and devalues the aesthetic of instability embedded in acoustic mediums. Acoustically reproduced environmental sounds are under.
AB - Wildlife ecologists and conservation biologists have established the importance of bioacoustic data through acoustic monitoring to assess numerous behaviors in the animal kingdom, including migration, hunting, mating, local navigation, and defense.1 Among various instances of sonic species monitoring, acoustic monitoring of amphibians has highlighted the importance of audio data. Not only has audio played a crucial role in raising the awareness of global amphibian species decline, audio data has helped to determine the acceleration of this decline, revealing the value of environmental acoustics as diagnostic and analytical frameworks in numerous scientific fields.2 However, ecoacoustic content plays an equally important role in artistic contexts, particularly electroacoustic installations that attempt to reproduce or invoke environmental soundscapes through the creative deployment of environmental field recordings through stereo or multi-channel speaker arrays.3 Yet, this preoccupation of phonographic audio in artistic contexts that has pervaded ecoacoustic artworks in the 20th and early 21st centuries neglects the rich multivalence and indeterminacy inherent in acoustically produced sound and devalues the aesthetic of instability embedded in acoustic mediums. Acoustically reproduced environmental sounds are under.
UR - https://www.scopus.com/pages/publications/85124567170
M3 - Conference contribution
T3 - Proceedings of the Institute of Acoustics
BT - Reproduced Sound 2021
PB - Institute of Acoustics
Y2 - 16 November 2021 through 18 November 2021
ER -