Abstract
Despite the closet’s centrality to queer culture and theory, the metaphor’s various meanings have yet to be disaggregated and defined. Following Eve Kosofsky Sedgwick’s identification of the closet with a “crisis of homo/heterosexual definition, indicatively male, dating from the end of the nineteenth century,” the present article uses an array of late-Victorian sources—especially The Memoirs of John Addington Symonds and Teleny, a pornographic novel sometimes attributed to Oscar Wilde—to describe and distinguish: (1) so-called latent homosexuality (“the unconscious closet”); (2) deliberate strategies of suppression, abstention, and reformation (“the conscious closet”); (3) clandestine pursuits of gay sex and sociability (“the double life”); and (4) performances of a heterosexual persona (“the mask”). This article’s sources further attest to the late-Victorian advent of “closet consciousness”—a recognition among certain homosexually-inclined men that the closet’s multiple modalities, for all their variety, are phenomenologically and ideologically linked.
| Original language | English |
|---|---|
| Pages (from-to) | 587-611 |
| Number of pages | 25 |
| Journal | Journal of Homosexuality |
| Volume | 69 |
| Issue number | 4 |
| DOIs | |
| State | Published - 2022 |
Keywords
- Closet
- John Addington Symonds
- Oscar Wilde
- Teleny
- coming out
- gender performativity
- male homosexuality
- queer history
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